“Strange New Worlds” is widely regarded as the strongest live-action Trek since the 1990s, largely because it went back to episodic, crew-focused storytelling after “Discovery” and early “Picard” leaned hard into serialized, high-stakes arcs that alienated longtime fans expecting the franchise's traditional rhythm. That course correction mirrors what Star Wars did with Andor — going back to genre fundamentals rather than chasing prestige-TV trends.
“Section 31” taking a harder, more R-rated direction with Michelle Yeoh's character was a notably different bet than the rest of the current Trek slate, and its reception has been more divisive than the mainline shows, a useful signal about how far this fanbase will follow tonal experimentation.
Our take: Paramount+'s multi-series Trek strategy finally found its footing by letting each show have a distinct identity — Strange New Worlds episodic and optimistic, Lower Decks comedic, Discovery serialized — rather than forcing one tone across the whole franchise.