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Movies

Lee Sung Jin Drops a Massive Revelation On The X-Men In The MCU

The X-Men in X2: X-Men United walk confidently forward against a blue backdrop. The tone is bold and powerful.
Famke Janssen, Halle Berry, Alan Cumming, Anna Paquin, Patrick Stewart, Kelly Hu, James Marsden, Ian McKellen, Rebecca Romijn, Shawn Ashmore, Hugh Jackman, and Aaron Stanford in X2: X-Men United (2003) photo courtesy of © 2003 Twentieth Century Fox. All Rights Reserved

X-Men fans will see the previous-Fox version of the characters in December when “Avengers: Doomsday” hits theaters. In their very own teaser for the movie, fans got a glimpse of Patrick Stewart’s Charles Xavier, Ian McKellan’s Magneto, and James Marsden’s Cyclops. With the reboot currently in the works for the MCU, Lee Sung Jin, creator of Netflix’s “Beef,” teased a new take on the mutants.

Lee Sung Jin Teases New Take On The X-Men

Jan 15, 2024; Los Angeles, CA, USA; Lee Sung Jin accepts the award for outstanding directing for a limited or anthology series or movie for BEEF during the 75th Emmy Awards at the Peacock Theater in Los Angeles on Monday, Jan. 15, 2024. Mandatory Credit: Robert Hanashiro-USA TODAY
Photo Credit: © Robert Hanashiro-USA TODAY

Marvel’s next phase is beginning to take shape, and one of the studio’s most storied properties is getting a fresh hand. With the Marvel Cinematic Universe preparing to pivot toward mutant stories, Lee said the project offers a rare opportunity: to reintroduce a large ensemble without being tied to previous film continuity. Lee contrasted the X‑Men assignment with other MCU projects that plug into existing arcs. Per Deadline, he said Thunderbolts had “actually more parameters” because it had to fit into an ongoing storyline, while X‑Men is being treated as a chance to start fresh.

The tone he described leans toward character-driven drama and team dynamics, a nod to the early comics that emphasized interpersonal relationships and serialized, soapy storytelling. Lee credited producer Jake Schreier’s vision and the involvement of Marvel President Kevin Feige and Louis D’Esposito, saying the creative team has been working closely and freely, often brainstorming without constraint. Jake Schreier, who directed “Thunderbolts,*” will return to the MCU to direct the X-Men reboot.

Feige praised Schreier, per Collider, when he said, “Jake’s an incredibly smart guy, and he’s an incredibly talented filmmaker. We had a great experience with him on “Thunderbolts,*” and if you saw that movie, what he did with those character interactions—he also has his pulse on, shall we say, a younger demographic. because X-Men, as it was in the comics, will be a very youth-oriented, focused, and cast movie.”

What Fans Can Expect

At this stage, casting, plot details, and tone remain under wraps. It seems that Lee’s comments suggest the film will lean into the soap‑operatic elements of the Claremont era, interpersonal conflict, shifting alliances, and a focus on how a team functions as a unit. That emphasis on character over spectacle, he implied, is what drew him to the project and what he hopes will distinguish this X‑Men from earlier screen incarnations.

Lee also noted the collaborative nature of the work, saying he and the core creative team have been meeting with Feige and D’Esposito described as highly attuned to the material. The implication is that Marvel is treating the X-Men reboot as a high‑priority, creatively open effort rather than a formulaic franchise entry

Lee Jung Jin’s Personal Connection To X-Men

Lee’s interest in the project is rooted in childhood fandom. He recalled reading X‑Men comics with his father and watching the animated series on Saturday mornings, memories that inform his sense of responsibility to longtime readers and viewers. That personal history shapes how he evaluates creative choices: he asks whether his younger self would be eager to run to the theater to see the film.

He also asks himself whether the movie honors the work the comics established while also pushing the story forward. Those questions, he said, guide the balance between nostalgia and reinvention. For fans who grew up on the comics and the cartoon, Lee’s framing is meant to reassure that the X-Men reboot will respect the characters’ emotional core even as it seeks new directions.


For many fans, the prospect of a new X‑Men film carries both excitement and apprehension. The franchise has a deep and devoted readership, and any reboot invites scrutiny about fidelity to source material and the balance between nostalgia and reinvention. Lee’s repeated references to his childhood fandom of the X-Men comics and his stated desire to satisfy that younger self are intended to reassure longtime readers that the film will respect the characters’ roots even as it seeks to chart a new course.

Until Marvel releases casting announcements or story details, speculation will continue. But Lee Sung Jin’s involvement and his insistence on character‑first storytelling help the project form a clear creative signal: this X‑Men aims to be a reinvention rooted in the emotional and interpersonal core that made the comics resonate for generations.

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