Rosanna Arquette, 66, Harshly Calls Out Quentin Tarantino Over N-Word Use: “It’s Just Racist and Creepy”

Rosanna Arquette as Jody in Quentin Tarantino’s “Pulp Fiction”

Rosanna Arquette has never been one to hold back. The actress, best known to a generation of film fans as Jody (the chick with the face piercings) in “Pulp Fiction,” recently sat down with The Times U.K. and made it clear that three decades of silence on one particular subject are officially over. Let’s listen in.

Quentin Tarantino’s Use of a Slur

When reflecting on her experience working with Quentin Tarantino, Arquette had some complicated things to say. She acknowledged the film’s cultural weight  – calling it “iconic” and “great on a lot of levels” – but she drew a firm line when the conversation turned to Tarantino’s repeated use of the N-word across his body of work. And there was a lot of it. Per the Times, Arquette’s criticism was sharp. 

“Personally I am over the use of the N-word – I hate it… I cannot stand that he has been given a hall pass. It’s not art, it’s just racist and creepy.”

Those are not throwaway words from Arquette. They certainly need to be taken seriously.

Why Rosanna Arquette’s Criticism Carries Weight

Arquette isn’t speaking from the outside looking in. She was there. She was on set. Arquette played a role in a film that, by many accounts, helped cement Tarantino’s reputation as one of the defining voices of 1990s cinema. That context matters.

When someone who was a direct part of that creative process speaks up and says something felt wrong – not stylistically, but morally – it carries a different kind of authority than a critic writing from a distance.

Arquette also raised another issue in the same interview: she claimed she was the only cast member denied a share of “Pulp Fiction’s” $214 million box office earnings. Arquette attributed that slight to Harvey Weinstein, who she alleged had attempted to make sexual advances toward her years earlier, all which she rejected. It’s a reminder that for many women in Hollywood during that era, professional punishment often followed personal refusal.

The Long History of Criticism Around Quentin Tarantino and the N-Word

This is not the first time Tarantino has faced this criticism – and not even close. Fellow filmmaker Spike Lee has been speaking publicly about his concerns since 1997, when “Jackie Brown” was released. 

Per Deadline, Lee stated: 

“Quentin is infatuated with that word… I want Quentin to know that all African Americans do not think that word is trendy or slick.” 

When Tarantino’s movie “Django Unchained” arrived in 2012 – a film in where the N-word is used over 110 times – Lee refused to see it. He called it “disrespectful” to his ancestors.

Tarantino, for his part, has never budged. At the 2013 Golden Globes, just moments after winning Best Screenplay for “Django Unchained,” he used the slur himself while defending his work to reporters. In 2022, he told CNN’s Chris Wallace that anyone bothered by his creative choices should simply “see something else.” 

Samuel L. Jackson, who has appeared in several of Quinton Tarantino’s films, has consistently defended the director, arguing that the language reflects reality and that the criticism directed at Tarantino is disproportionate compared to what other filmmakers face for similar choices.

What This Conversation Is Really About

According to a Dallas Observer count, Tarantino has used the N-word 214 times across his filmography. The films with the highest usage are “Jackie Brown,” “Django Unchained,” and “The Hateful Eight.” By way of comparison, the F-word is used 265 times just in “Pulp Fiction” alone. 

The debate over whether a filmmaker is ever justified in that level of usage — and whether commercial and critical success grants a creative “hall pass” — is one that Hollywood has been having for decades. What Arquette’s comments do is bring that conversation back to the surface, this time from someone who actually worked inside that world and also experienced the consequences firsthand. Her strong words are definitely worth listening to.

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