Top 10 Movies To Watch This Week on Prime Video | June 22-28, 2025

So you’re stuck in scrolling purgatory again, huh? Endlessly thumbing through Prime Video, hoping something jumps out. We’ve been there. That’s why we pulled together the Top 10 Movies you would actually want to watch this week—no fluff, no filler. Whether you’re into thrillers, rom-coms, or indie gems, there’s something worth hitting play on. Here’s your movie cheat sheet for June 22-28, 2025—because your time is too valuable for another “meh” movie night.

Deep Cover (2025)

This one’s a weird little gem. Deep Cover stars Bryce Dallas Howard as Kat, a struggling improv teacher who gets recruited by a British cop to go undercover in London’s gangland. Except she’s not going in alone—she drags two of her clueless students with her, and what follows is part heist comedy, part identity crisis.

Think Barry meets Snatch, but with more improv jokes and less gunfire (though don’t worry, there’s still gunfire). Orlando Bloom pops in as a hilariously unhinged fixer, and Nick Mohammed basically steals every scene he’s in. It’s chaotic, sometimes too chaotic, but you kind of roll with it.

The energy is messy, but fun. And honestly? That fits the story. Not everything lands, but when it works, it really works.

A Working Man (2025)

Jason Statham doing what Jason Statham does best: growling, punching people, and looking emotionally wrecked in a flannel shirt. In A Working Man, he plays Levon Cade, an ex–black ops guy just trying to live a quiet life in construction. That goes out the window when his boss’s daughter goes missing.

What starts as a simple rescue mission turns into a whole web of corruption, trafficking rings, and very bad people doing very bad things. Statham brings his usual “human wrecking ball” energy, but there’s some real heart under the grime. You can feel the Stallone fingerprints on the script—gritty, direct, unapologetically old-school.

It’s not subtle, but it is satisfying. If you miss the days when action movies didn’t need multiverses or wisecracks every five seconds, this one’s for you.

Me Before You (2016)

You probably already know how this ends. And yes, it still hits like a truck. Me Before You follows Lou (Emilia Clarke), a quirky, optimistic small-town girl who takes a job caring for Will (Sam Claflin), a wealthy young man left paralyzed after an accident. They hate each other at first. Then, of course, they don’t.

It’s a romance, but also a debate about autonomy, purpose, and what makes life worth living. Clarke’s performance is big-eyed and endearing, and Claflin brings just the right amount of bitterness and charm. There’s humor, heartbreak, and more than a few ugly cries.

Is it manipulative? Sure. But in that “I knew what I signed up for” way. Sometimes you want to be wrecked.

The Equalizer 3 (2023)

Denzel’s back as Robert McCall, the most polite killing machine in cinema. In The Equalizer 3, he’s traded Boston for the Italian coast—but trouble still finds him. When local crime bosses start leaning on the townspeople, McCall decides to clean house. With extreme prejudice.

This one’s moodier than the first two, and the setting makes everything feel lush and lived-in. Denzel’s more reflective, even vulnerable, but when it’s time to go full Equalizer? Brutal doesn’t even cover it. The action is tight, the score is tense, and the mafia goons are gloriously doomed.

It’s basically John Wick with espresso breaks. And if you’re into that? You’re gonna love this.

Dirty Angels (2024)

Set during the U.S. withdrawal from Afghanistan, Dirty Angels tells the story of a covert team of female soldiers sent back in to rescue kidnapped girls from a war zone. Posing as aid workers, they navigate a collapsing country and enemy forces from every direction. It’s tense, fast, and built on real stakes.

There’s action, obviously, but also a lot of humanity—grief, rage, trauma, all simmering under the surface. The mission isn’t just dangerous. It’s personal. And the fact that these women are doing it while surrounded by systems that want them invisible? Makes every scene hit harder.

Think Zero Dark Thirty meets Sicario, but with a sharper focus on gender, power, and survival. It’s not perfect, but it’s fierce.

Ace (2025)

Ace is messy, loud, and very much wearing its heart on its sleeve. Vijay Sethupathi stars as Kannan, a man trying to leave his past behind in Malaysia—but naturally, the past has other plans. When the woman he loves needs a serious cash bailout, he turns to robbery. That sets off a chain reaction involving a ruthless gangster and a wildly corrupt cop (who also happens to be her stepdad).

The plot moves fast and leans into chaos. It’s part action flick, part love story, and part crime comedy that’s not afraid to get weird. The tone bounces all over the place—funny one minute, violent the next—but that’s kind of the point. Sethupathi, as always, brings a grounded, watchable energy.

If you like your thrillers with big feelings and even bigger set pieces, this one’s worth your time. Just go in expecting a rollercoaster.

CHiPS (2017)

This one’s dumb—but in a way that sort of knows it’s dumb. CHIPS is a raunchy, R-rated reboot of the classic ’70s cop show, with Dax Shepard and Michael Peña as mismatched California Highway Patrol officers trying to stop a ring of crooked cops. The plot’s whatever. The jokes are crude. The action leans more goofy than gritty.

But Peña? He gets laughs just by showing up. And Shepard throws himself into every stunt like he’s trying to prove something. There’s a weird charm to how hard this movie wants to entertain you, even when it’s tripping over its own jokes.

If you’re looking for nuance or nostalgia, skip it. But if you just want to watch two dudes crash motorcycles and roast each other for 90 minutes, you could do worse.

Homefront (2013)

This one’s simple—and that’s the appeal. Jason Statham plays a former DEA agent who moves to a quiet town with his daughter, only to butt heads with a local meth kingpin played by James Franco. And if that sounds like a showdown you didn’t know you needed, trust me, you did.

It’s a gritty, small-town thriller with zero fluff and plenty of broken bones. Statham is, well, Statham—efficient, silent, and lethal. Franco goes weird with it, leaning into sleaze with just enough menace to make it work. There’s a solid B-movie vibe running through the whole thing.

Written by Sylvester Stallone and built like an old-school revenge flick, Homefront doesn’t try to impress you. It just gets the job done.

White Chicks (2004)

You already know this one. White Chicks is pure early-2000s chaos—two Black FBI agents (the Wayans brothers) go undercover as rich white heiresses to foil a kidnapping plot. It’s broad, absurd, and definitely not subtle.

It also became a cultural moment. The outfits. The “A Thousand Miles” scene. Terry Crews singing in the car. You either love it or you hate it, but no one forgets it. Critics were not kind, but audiences turned it into a comedy cult classic.

Is it dated? Absolutely. But there’s something weirdly committed about the whole thing that makes it hard to look away. It’s a fever dream in fake eyelashes and beige foundation.

Titanic (1997)

You’ve probably seen it. You probably cried. You probably cried again during the rewatch. Titanic is James Cameron’s epic romance-disaster hybrid that launched a thousand memes, broke box office records, and convinced millions of people that “never let go” was a reasonable promise.

Leonardo DiCaprio and Kate Winslet are impossibly young, impossibly pretty, and impossibly doomed. The iceberg hits. The ship sinks. People freeze. But somehow, it’s still all about the love story. The set design, the score, the practical effects—it still looks and feels massive nearly 30 years later.

There’s a reason it became a generational touchstone. It’s spectacle with a pulse. And yeah, you’re probably gonna cry again.