So you’re stuck in scrolling purgatory again, huh? Endlessly thumbing through Hulu, hoping something jumps out. We’ve been there. That’s why we pulled together the Top 10 Movies you would actually want to watch this week—no fluff, no filler. Whether you’re into thrillers, rom-coms, or indie gems, there’s something worth hitting play on. Here’s your movie cheat sheet for May 25–31, 2025—because your time is too valuable for another “meh” movie night.
Longlegs (2024)
Nicolas Cage has played a lot of unhinged dudes, but Longlegs might take the cake. He’s downright bone-chilling in this slow-burn satanic horror, and the less you know going in, the better. Just trust that whatever Cage is doing here—it’s creepy, it’s bizarre, and it’ll sit with you long after the credits roll.
Maika Monroe (aka indie horror royalty at this point) plays an FBI agent investigating a string of occult murders in 1990s Oregon. The vibe? The Silence of the Lambs but way more supernatural. As she gets deeper into the case, it starts to feel personal—like dangerously personal. And the way it all unfolds is just wrong in the best way. Oz Perkins directs the hell out of this thing, wrapping every shot in this icy, off-kilter dread that makes even daylight scenes feel scary.
It’s not exactly a popcorn thriller. The story goes to some weird places, and at times, it’s more about the mood than the plot. But if you’re into horror that’s stylish, slow, and seriously unsettling, Longlegs is one of the most unique (and messed up) watches of the year. Just maybe don’t watch it alone. Or with the lights off.
SLY LIVES! (aka the Burden of Black Genius) (2025)
If Summer of Soul blew your mind (and let’s be honest, it did), Questlove is back with another absolute banger of a music doc. SLY LIVES! dives deep into the chaotic brilliance of Sly and the Family Stone, the funk-rock powerhouse that changed music—and then kind of imploded under the weight of its own genius.
This isn’t just a standard rise-and-fall music story. It’s about creativity, race, fame, mental health, and the price of being a Black visionary in a world that loves your sound but not your soul. Questlove goes all in, mixing archival footage, interviews, and live performances that will make you want to dance and cry at the same time. And yes, “Everyday People” hits extra hard in this context.
Sly Stone himself is elusive and mysterious, but his presence looms large. By the end, you might not fully understand him, but you’ll definitely feel him. The doc doesn’t sugarcoat anything—it just lays it all out and lets the music speak. If you’re into stories about art, pain, and cultural impact, this one’s a must-watch. Bonus: the soundtrack slaps.
Romeo + Juliet (1996)
Baz Luhrmann’s Romeo + Juliet is one of those movies that shouldn’t work, but absolutely does. It’s Shakespeare, but with guns, Hawaiian shirts, and a Radiohead needle drop. And somehow, despite all the chaos, it still hits every emotional beat like a sledgehammer.
Leonardo DiCaprio and Claire Danes are peak ’90s heartache here, full of angst and longing and tragic intensity. The movie keeps the original Shakespearean dialogue, but sets it in a neon-drenched Verona Beach that looks like a hyperactive MTV fever dream. It’s fast, loud, and completely unhinged—but that’s what makes it great. It’s the kind of adaptation that gets the feeling of being young and in love and doomed.
And let’s not forget the supporting cast—John Leguizamo as Tybalt is straight fire. The whole film is just dripping with style and confidence. Even if you hated reading Shakespeare in high school, this one might change your mind. Or at least make you want to throw on some Garbage and stare dramatically out a window. Either way, it’s iconic.
Cuckoo (2024)
Warning: Do not go into Cuckoo expecting a normal horror movie. This one’s weird. Like, really weird. But if you’re the kind of viewer who loves feeling off-balance, this neon-lit German nightmare is gonna be right up your alley.
Hunter Schafer plays a moody teen who gets dragged to a remote resort in the Alps to live with her dad. Pretty soon, she’s being followed by a creepy old woman, seeing things that don’t make sense, and generally losing her grip on reality. It’s all very dreamlike and disorienting—in a good way. Think Suspiria meets Under the Skin, with a splash of Black Swan’s “am I going crazy?” energy.
What’s it all about? Hard to say, and honestly, that’s part of the fun. Cuckoo is more vibes than story, more nightmare logic than exposition. But the sound design, the visuals, the tension—it’s all top-tier. If you’re into horror that’s less about jump scares and more about dread seeping into your bones, this one’s a trip worth taking.
Alien: Romulus (2024)
If you’ve been missing the terrifying, claustrophobic energy of the Alien franchise, Alien: Romulus delivers the goods. It’s set between Alien and Aliens, which means you get all the OG vibes but with a younger, scrappier cast of scavengers who don’t stand a chance—and that’s exactly the point.
These kids board a “totally abandoned” spaceship looking for salvage, but yeah, you know how this goes. One wrong move and suddenly there’s a xenomorph hunting them through tight metal corridors and flickering lights. It’s fast, brutal, and full of that signature Alien dread where every vent could be your last. Fede Álvarez (of Don’t Breathe fame) brings the suspense hard, mixing practical effects with just enough gore to keep your stomach doing somersaults.
What’s refreshing is that it doesn’t try to reinvent the wheel—it just sharpens it. The stakes are high, the kills are gnarly, and the creature design is a chef’s kiss. Whether you’re a die-hard Alien nerd or just down for a killer space horror night, Romulus is a seriously fun return to form. Popcorn mandatory.
Late Night with the Devil (2023)
This one’s a total blast—until it’s suddenly not. Late Night with the Devil sets itself up like a retro, slightly campy love letter to ’70s talk shows, and then it flips hard into full-blown horror. It’s a vibe, and it works.
David Dastmalchian plays Jack Delroy, a Johnny Carson-type host who’s desperate to boost his ratings during sweeps week. So naturally, he books a parapsychologist, a possessed teenage girl, and a literal demon—on live TV. What could go wrong? The movie is styled like it’s all happening in real time, and the tension builds so slowly and perfectly that when it finally tips over into chaos, it’s straight-up chilling.
It’s part Network, part The Exorcist, part found footage fever dream, and it nails the balance between camp and terror. Dastmalchian is magnetic—he’s charming and smarmy and totally unprepared for what’s about to go down. If you’re into horror, that feels like a lost relic from another time but still hits hard today, don’t sleep on this one. It’s creepy in all the right ways—and then some.
Immaculate (2024)
Sydney Sweeney goes full scream queen in Immaculate, and honestly? She crushes it. The film is pure Catholic horror vibes, set in a secluded Italian convent where something is definitely not right. And yes, it starts with a nun mysteriously becoming pregnant, so you already know we’re heading into dark territory.
Sweeney plays Sister Cecilia, wide-eyed and devout at first, but the more she digs into the convent’s secrets, the more unholy things get. There’s blood, there’s shadows, there’s creepy rituals in candlelit basements—it’s a whole thing. It’s got Rosemary’s Baby DNA for sure, but with a sleeker, more modern edge and a bit more bite.
The horror here isn’t just jump scares (though it has those too)—it’s about control, belief, and what happens when innocence meets pure evil. And the ending? Absolutely unhinged. If you’re in the mood for a religious horror flick that isn’t afraid to get weird and bloody, this one’s a ride. Just maybe light a candle after.
Perfect Days (2023)
If you’ve ever fantasized about ditching the chaos and living a slow, peaceful life with zero drama—Perfect Days is that fantasy. But real. And a little sad. And kind of beautiful. Wim Wenders (yes, the legend behind Paris, Texas) directs this quiet gem about a Tokyo toilet cleaner who’s perfectly content with his minimalist routine.
Koji Yakusho plays Hirayama, a man who finds joy in small things—trees, sunlight, cassette tapes, a perfectly clean bathroom. That’s the movie. No big twists. No explosive drama. Just a deep, meditative look at a man who’s learned to be fully present. And somehow, that simplicity hits harder than most Oscar-bait tearjerkers.
It’s Japan’s 2024 Oscar entry, and it totally earns it. Yakusho barely says a word, but every gesture and glance tells you everything you need to know. It’s the kind of film you sit with—not because it’s slow, but because it gives you space to breathe. If you’re burnt out, overstimulated, or just need something gentle, Perfect Days is a little cinematic reset button.
Poor Things (2023)
Yorgos Lanthimos is back in full freak mode with Poor Things, and if you thought The Favourite was weird, buckle up. Emma Stone is totally unleashed here as Bella Baxter, a woman reanimated with the brain of a baby who decides to bulldoze her way through the world in pursuit of experience, pleasure, and freedom.
It’s a bonkers premise, but somehow it works like gangbusters. Stone is magnetic—awkward, fearless, hilarious, and eventually kind of terrifying in the best way. Mark Ruffalo, as the sleazy lawyer who tries to “educate” her, is an absolute riot, and Willem Dafoe plays the mad scientist with just enough pathos to make it all weirdly poignant.
This is sci-fi, romance, satire, and body horror all rolled into one, dressed up in gorgeous Victorian steampunk couture. It’s messy, horny, and totally alive in every frame. You’ll laugh, squirm, and maybe even cry a little. And honestly? There’s no one else making movies like this. If you’re into boundary-pushing cinema that swings big and sticks the landing, Poor Things is a wild, wonderful ride.
Wrap Up
There you go—ten wildly different films, all worth your time for totally different reasons. Want to spiral into a satanic mystery that messes with your head? Longlegs has you covered. Need a funky, soulful dive into music history? SLY LIVES! is calling. Or maybe you’re just in the mood to watch Emma Stone resurrect herself and wreak glorious havoc in Poor Things. There’s something in this mix for whatever flavor of chaos, beauty, or heart you’re after.
From haunted talk shows and possessed nuns to alien hunts and grandma revenge missions, this lineup isn’t playing it safe—and that’s the whole point. These are the kinds of movies that make you feel something, whether it’s dread, joy, or the sudden urge to text your ex at 2 a.m. (looking at you, Romeo + Juliet). They’re bold, strange, emotional, and just offbeat enough to stick with you after the credits roll.
So whether you’re in the mood to get scared, laugh-cry, or just see something you haven’t seen before, you’ve got options. Queue ‘em up, clear your schedule, and dive in. And hey—if one of these ends up blowing your mind (or totally confusing you), come back and let’s talk about it. You know we live for that.
