The Corpse Bride: Using Color To Represent Two Worlds

The Corpse Bride. Victor and Emily arriving at the Land of the Dead

The saying is ’til death do us part, but sometimes that’s not always true. Tim Burton’s The Corpse Bride shows off the concept when a human marries a corpse. The film is a delightful mixture of horror, whimsy, romance, and music. It also employs a clever use of color for the two central settings. When watching, a person can identify one from the other and its atmosphere.

The Tale of The Corpse Bride

The Corpse Bride follows the tale of Victor Van Dort and Victoria Everglot. Victor is the son of a wealthy fish merchant, and Victoria is an aristocratic heiress. They are engaged to be married, though their families have ulterior motives for their union. Victor’s parents want to elevate their social status, and Victoria’s parents want to avoid poverty. But despite the arrangement, the betrothed fall for each other and want to be married. Victor’s awkwardness, however, causes him to fumble the rehearsal and doubt his commitment.

Distraught, Victor runs into the woods, where he decides to practice his wedding vows. He places the ring on a branch, which, in reality, is a skeleton hand. Afterward, an undead yet beautiful woman dressed in a wedding gown rises from the ground. Victor is suddenly whisked away to the land of the dead, married to the corpse. Back in the world of the living, the charismatic Lord Barkis swoons Victoria’s parents. They eventually decide to marry Victoria to him, although Barkis has sinister plans for her.

The Dull Living World

In The Corpse Bride, the living and dead worlds possess different color schemes. The living realm has a monochromatic aesthetic dominated by blacks, whites, and grays. Blue is the only noticeable color, while everything else is dulled and darkened. It’s like an old black-and-white film, but the color palette is appropriate.

The gray-scaled coloration represents how dull and reserved the land of the living is. There is no excitement with people just going about their humdrum lives. It’s so bland that people even fall asleep during dinner parties. The cool colors also emphasize the misery that hangs over everyone’s heads. They’re so sad that no one cheers or applauds at weddings, a typically happy occasion. It’s almost like life isn’t worth living in The Corpse Bride reality.

The Vibrant Land of the Dead

Victor and the Remains of the Day in The Corpse Bride
Image by Disney

The land of the dead is the opposite, having color around every corner. There are neon greens, blues, purples, yellows, and many others alongside the harsh shadows. Even the residents are colorful, whether it is their clothing or skin. It almost looks like a Halloween attraction or festival at an amusement park. And the corresponding atmosphere is evident in every scene featuring the land of the dead.

In The Corpse Bride, the underworld’s color palette reflects the lively atmosphere and its citizens. Everyone is carefree, happy, and friendly despite being a skeleton or a corpse. There are even welcome parties with drinks and jazz music held whenever someone new arrives. The colorful representation also reflects Burton’s personal views of the afterlife. It conveys that death is nothing to fear and is more energetic than life.

Final Thoughts on The Corpse Bride

The Corpse Bride is a fantastic movie that turns death into something joyful. And the use of opposite color palettes for each world is genius. The Corpse Bride is a worthy addition to Tim Burton’s ensemble of masterpieces. It’s a film that many can enjoy, especially around spooky season.

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